![]() ![]() The Double Showman can be identified by the part number of the output transformer, which is 4 ohms and is marked 125A29A. Note that before the term "Dual" was used, the amps were the "Single" and "Double" Showman, although those terms were not marked on the faceplate. Double Showman, Dual Showman and Showman 15: Starting 1963 (Two 15" JBL D130F speakers for Double/Dual Showman and one 15" JBL D130 speaker for Showman 15, also called Single Showman).Showman: 1960–1962 Showman 12 (one 12" JBL D120 speaker), Showman 15 (one 15" JBL D130 speaker) Cream tolex with oxblood grille cloth.Six preamplifier tubes, solid state rectifier, four 6L6 power tubes and new output transformer.ĪB763 model: three preamplifier tubes (7025 Normal Channel 7025 & 12AX7 Vibrato Channel), 12AT7 phase inverter tube & 4 x 6L6GC power tubes Showmans and Dual Showmans are heavily sought by pedal steel guitar players. Jimi Hendrix owned one early model, and later a Dual. Fender Concert Amp, late 1959, early 1960, model 5G12. The Fender Showman is often associated with surf guitarist Dick Dale and was notably used in the 1960s by The Byrds, The Bobby Fuller Four, Fleetwood Mac with Peter Green, and in the 1970s by Steve Howe of Yes. Dual Showman Reverb used the Fender Twin Reverb chassis and came in non-master and master volume versions with "pull boost" circuitry, mid-1970s "tailless" amplifier decal and a slightly larger head. Blackface and Silverface models such as the Showman, Dual Showman, and Showman Reverb employed the same "piggyback head" design as the Bandmaster and the Bassman. It was introduced in 1960 and was discontinued in 1993. The sound clean and clear with a light overdrive as. If considered a classic Fender circuit which has spanky cleans, warmth and rich reverb and trem in small package. The Princeton Reverb is prized studio, practice and small stage amp. ![]() The Fender Showman was a guitar amplifier produced by the Fender company. The History of the Fender Princeton Amp Part III: The Blackface and Silverface Princeton Amps 1964-1981. Please help improve this article by introducing citations to additional sources. Relevant discussion may be found on the talk page. The model was also played by Mike Bloomfield with the Group in 1964, and both original and longer Duo-Sonic II models were hoisted by Rory Gallagher, Walter Becker, David Byrne, Liz Phair and Dweezil Zappa.This article relies largely or entirely on a single source. Jimi Hendrix was photographed playing two different late-’50s or early ’60s Duo Sonics, in Desert Sand and sunburst, respectively, while backing both Curtis Knight and the Isley Brothers. Underneath those plastic pickup covers lurk single-coil pickups that are similar to Stratocaster pickups of the era, but with flush pole pieces.ĭespite its diminutive status, the Duo-Sonic racked up quite a roster of pro players over the years. It was part of what was known as the woodie amps and came as a 10 watt model with a 10 speaker. ![]() In addition, the model’s toggle-style pickup selector was swapped for two slider switches, one above each pickup, as found on the Mustang. The first Fender amp model called The Deluxe came out in 1946. The Duo-Sonic II also gained the option of a somewhat longer 24-inch scale length, although 22.5-inch versions remained available for a few years. Jimi Hendrix was photographed playing two different late-’50s or early ’60s Duo Sonics, in Desert Sand and sunburst, respectively, while backing both Curtis Knight and the Isley BrothersĪs a result, many such models from the mid ’60s and after are even heavier than their larger-bodied, 25.5-inch-scale siblings. In later years, particularly when the Duo-Sonic II arrived in late ’64, Fender switched to poplar for most of these, including the Mustangs that would join them. Like Fender’s other notable guitars of the period, early Duo-Sonics had bodies made of ash and alder. A sunburst finish was available around 1960, by which time a rosewood fretboard had been added and the aluminum pickguard switched out for white plastic. The ’50s maple neck with an integral maple fretboard is an unusual thing on any student-model Fender, and the white plastic pickup covers and anodized aluminum pickguard present some tastefully contrasting styling.įender offered the Duo-Sonic only in Desert Sand finish for its first few years of production. Last year of production of blackface model. Ser A08395 manufactured Fullerton CA in Feb, 1967. 1957 Fender Duo-Sonic in Desert Sand finish (Image credit: GUITAR AND PHOTO COURTESY OF TOM DUMONT)Įarly examples, like the ’57 displayed here, carry the features collectors and many players most like to see in these guitars. 1967 Fender Dual Showman, factory original piggyback set with blackface amp head (Showman-amp AB763) and 2X15 speaker cab, vertical model. ![]()
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